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Who Framed Roger Rabbit — Description

Who Framed Roger Rabbit contains subtle queer themes, primarily through Jessica Rabbit's iconic line, "I'm not bad, I'm just drawn that way," which resonates with asexual/aromantic experiences, and interpretations of Roger as a relatable queer figure, while the film's exploration of being "othered" in Toontown offers parallels to queer identity, though explicit gay subtext is more in audience readings than intent.
Key Elements of Queer Interpretation:
Jessica Rabbit & Asexuality: Her line "I'm not bad, I'm just drawn that way" is often interpreted as a statement of asexuality or aromanticism, expressing that her allure doesn't equate to her actions or desires, making her an asexual icon for some.
Roger Rabbit as a Queer Stand-in: Roger's struggle to be understood and accepted by Jessica, his "odd-couple" pairing with the femme fatale, and his feeling of being a nuisance can mirror feelings of being an outsider or the "clown" in queer experiences.
Toontown as a "Queer Space": The concept of Toontown itself, a marginalized community where "Toons" are second-class citizens, provides a backdrop for themes of difference, persecution, and finding belonging, similar to queer communities.
Judge Doom as a Queer Villain: Some analyses see the villainous Judge Doom as a "self-hating queer figure" or embodying queer anxieties due to his hidden identity and villainy, linking to classic queer killer tropes in film, according to Bloody Disgusting.
Queer Readings of Noir Tropes: The film uses classic film noir tropes, where sexuality and hidden identities are central, allowing for deeper readings about hidden selves and societal repression.
While the creators likely focused on noir parody and adult themes, the film's rich symbolism and characters have invited these layered queer readings over time, particularly given its blend of animation and adult-oriented mystery.