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Jessica Rabbit in Care To Buy Me A Drink? — Description

Jessica Rabbit in Care To Buy Me A Drink?

AGE: While never specified
Jessica Rabbit is a fictional character in the novel Who Censored Roger Rabbit? and its film adaptation, Who Framed Roger Rabbit. She is depicted as the human toon wife of Roger Rabbit in various Roger Rabbit media. Jessica is renowned as one of the best-known sex symbols in animation. She is best remembered for the line: "I'm not bad, I'm just drawn that way".
Author Gary K. Wolf based Jessica primarily on the cartoon character Red from Tex Avery's Red Hot Riding Hood, though he also based her attitude on Tinker Bell and her design on Margaret Kerry.
The film version of the character was inspired by various actresses. Richard Williams explained, "I tried to make her like Rita Hayworth; we took her hair from Veronica Lake, and Robert Zemeckis kept saying, 'What about the look Lauren Bacall had?'" He described that combination as an "ultimate male fantasy, drawn by a cartoonist". Before Zemeckis was brought on board as director, Jessica had a different design, and was to be voiced by Russi Taylor. Taylor would go on to provide the voice in test footage from 1981. When Zemeckis was hired, he brought along Kathleen Turner to voice Jessica, whom he had worked with in Romancing the Stone. In a 2017 interview, Turner, who went uncredited, stated that she accepted the role because she was pregnant and "just had to show up and do her voice".
NOVEL - Jessica was an immoral, up-and-coming star, and former comic character with whom her estranged husband (comic strip star Roger Rabbit) became obsessed.
Roger's wife Jessica is dramatically different between adaptations, too. Interestingly, she has far more depth and dimension as a character in the movie than the novel at that. In the novel, she's a shameless gold-digger that uses her looks and charisma to seduce men into giving her what she wants or pitting key political figures against each other. Once one figure is out of the picture, she monkey-branches to someone else in order to gain their wealth, power, or whatever other effect. Behind her charismatic glamour, she's a petty and hard-to-please diva.
FILM - She is re-imagined in the film as a sultry, but moral and kind-hearted, cartoon singer at a Los Angeles supper club called The Ink and Paint Club. She is one of several suspects in the framing of her husband, who is a famous cartoon star accused of murder. She is voiced by Kathleen Turner. Amy Irving was cast to sing "Why Don't You Do Right?" (a blues song made famous by Peggy Lee) for Jessica's first scene in the movie. According to animation director Richard Williams, other than being a feisty-redhead female human toon temptress, she deeply loves her husband Roger. She calls him her "honey-bunny" and "darling." She claims that he makes her laugh, is a better lover than a driver and that he is "better than Goofy" after Roger attempts to save her from Judge Doom and the Toon Patrol. As proof of her love, she tells Eddie that she will pay any price for Roger and she even helps prove him innocent by helping in the investigation.
Even though she is a human Toon, she is shown to have a few of the comedic cartoon antics typical of other Toons. One such example is her cleavage having a hammerspace ability, as one of the weasels searches her (with obvious perverted intent) for Marvin Acme's last will and testament, only to comically get his hand caught in a bear trap, with Valiant commenting on the event with a pun ("Nice booby trap"). Another could be her restrained "wild take" (as she shouts, "Oh, my God, it's Dip!") seeing Judge Doom's scheme involving the Dip, while a subtle effect was added by animator Russell Hall: The bounce of Jessica's bosom was reversed from that of a real woman so that it would bounce up when a real woman's breasts bounce down and vice versa. Furthermore, when she blows kisses (as seen to Eddie in one scene) the lip-kisses are also done in a cartoonish style.
She worked as a singer at a Supper Club, and even though she is a "sex symbol", most women that worked at Supper Clubs were in their mid 20's.

SOURCE: WHO FRAMED ROGER RABBIT / Walt Disney / Disney
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